Music.

stm088.

„An enchanting audio expedition by Rafael Anton Irisarri, a.k.a The Sight Below, takes us through mountains, valleys and deserts of sound.“

Re-Upload STM 088.

secretthirteen.org/stm-088

Samstag, August 4th, 2018 Music. Keine Kommentare


„First hour cut of Izabel playing at Strange Sounds From Beyond 2017“

Montag, Juli 30th, 2018 Music. Keine Kommentare

Montag, Juli 9th, 2018 Music. Keine Kommentare

Unser kleines Archiv. Nun aktuell inkl. der Sendung aus Juni 2018.

Montag, Juni 25th, 2018 Music. Keine Kommentare

www.discogs.com/Abul-Mogard

Dienstag, Juni 19th, 2018 Music. Keine Kommentare

hc.

‘k” – insistence on purity

Mittlerweile ist die Veröffentlichung meines frischen Beitrages zur headphone commute Podcast Serie bereits zwei Wochen vergangen. Nichtsdestotrotz folgt nun an dieser Stelle die Präsentation der wichtigsten Fakten:
Zweieinhalb Stunden Musik, in dieser Ausgabe so stoisch und gesetzt wie nie zuvor. Danke Mike, einmal mehr.

Samstag, Juni 16th, 2018 Music. Keine Kommentare

wie angekündigt; die möglichkeit zur nachhörung über die mixwolke. danke nts.

www.nts.live/william-basinski-31st-may-2018

Tracklist

Alva Noto
Uni Sub
Pinkcourtesyphone
Romantic Threat
France Jobin
24-45
Yann Novak
The Future Is A Forward Escape Into The Past
Jim O’rourke
Steamroom 40
Harry Bertoia
For Reuse
Lawrence English
Hard Rain
Balmorhea
Lost In Translation (William Basinski)

Samstag, Juni 9th, 2018 Music. Keine Kommentare

nts.

Wunderschön. nts.store/

Mittwoch, Mai 30th, 2018 Music. Keine Kommentare

basinski.

„Put it in your diaries – William Basinski goes live on NTS, Thursday 31st May
Tune in from noon until 1pm UK time.

www.nts.live/william-basinski

Sonntag, Mai 27th, 2018 Music. Keine Kommentare

rausch.

Wolfgang Voigt’s music as Gas is about nostalgia and childhood, based on his memories of wandering the forests around Cologne. Built around a deep, steady thrum and orchestral samples, the music has a soft, cocooned feel to it, as if enclosed by coniferous trees and mossy ground. When Voigt revived the project with last year’s Narkopop, the idea was the same, but the delivery was different: the music felt darker, and some fencing could be seen on the cover’s otherwise natural landscape. It was meant to show, perhaps, man beginning to impose on the sanctity of the forest. The album reflected a kind of lost innocence. Though Rausch’s cover features no such intrusions, the music has a new, rumbling sort of dread to it. Across the hour-long LP, split into seven seamless movements, Voigt introduces dissonance and anxiety into a world that once seemed welcoming. „

Rausch erschien am 17. Mai. Ob ich das Album bis heute gehört habe? Wahrscheinlich nicht, folgt aber ganz sicher.

www.residentadvisor.net/22507

Donnerstag, Mai 24th, 2018 Music. Keine Kommentare
Oktober 2018
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